Tuesday, October 15, 2019

Rosh Hashanah 5780/2019 - The Machzor Takes a Selfie


Please rise.  You may be seated.  Now take a deep breath and focus – on my sermon, obviously, but on where we are and what we’re doing right now.  About hungering to live the special moments God puts into your lives, what we can gain when we encounter the record others, even ourselves from the past, leave to us of such moments they’ve had, and the great sin of failing to treasure both.   
A lot of what I do is what I just did – give stage instructions.  And if you’ve been here for a Bar or Bat Mitzvah on Shabbat, you’ll know I have a sort of routine for giving to the expanded congregation of non-regular attendants some of the choreography, some of the rules and regulations to follow while with us, for the simchah, for the event.  My goal is always to be welcoming and non-judgmental, while still trying to get the major points across.  And one of those is always about not using cell phones and other devices, in particular, to take pictures. 
From a halachic perspective of course doing anything with your phone is a problem, not just taking pictures.  But not only does that not help get the point across for many of the guests, it’s also because the biggest problem, as I see it, is with the need to take pictures at a time like that - you are stealing from yourself and probably from others in trying to do so.    
So, what do I usually point out?  I ask why would you want to spend this whole special event trying to take pictures instead of participating in it firsthand?  That actually does catch the attention of a few people and invest them in experiencing and not just recording.
In Indiana Jones and the Last Crusade there’s a line where Indiana complains to his father for not remembering something but rather having written it down in his now stolen journal. “But I wrote it down so I wouldn’t have to remember it!” is the father’s answer. 
That is why we take such pictures, to remember, and in remembering, to “live again.”  Recording should be an aid to memory.  It is vitally important to remember the lessons of the past and to experience them again.  To connect, in a second-hand yet direct way, with those who loved us and cared for us who we can only know in such ways.  It can be very powerful even, to have that sort of interaction with a picture.  That in itself can be, a sort of first-hand experience if we let it. 
But what happens when recording doesn’t work?  When it distracts?  We suffer today because of this.  Because we are still programmed, innately I think, to want a picture to speak directly to a momentous occasion.  For those of you in the know about such things – this is, I would contend, the attraction of Instagram.  To elevate the average picture to something more like art – because that’s what we want these captured moments to be. 
But if you’ve ever scrolled through endless pictures on your phone wondering what you are looking at, you recognize that this isn’t what we’re getting when we snap everything we see.    
Not only did we probably miss the original experience by doing that, which is pretty awful to admit, we now have worthless pictures that we can’t even have a meaningful connection to. 
But think of this scenario instead.  What happens when you stumble upon old pictures of your parents, grandparents, great-grandparents, kept safe over decades and now brought again to light – at least for me, it’s fascinating.  It’s hard to think today that once, taking pictures or movies had to be done somewhat judiciously, making even “casual” pictures more significant.  Coming from a time when the ability to “half-experience” and “half-record” and do neither well was less developed and thus less a problem.
Those sorts of pictures – sure, in part because they’re old, but I think because they were, just a little more curated, just a little more thoughtfully taken, are the sorts of pictures that one can have a real “first-second-hand” experience with.  You might not have been born, but your Zayde’s smile at 12 is still the same one you knew at that age, however long ago that was, when he showed it to you, too. 
Rosh Hashanah, the Head of the Year, is also known Yom Zichron Truah, the Day for Remembering the Shofar, and even simply, Yom HaZikaron, the day of memory – “living” memory if we are lucky.
And shortly in the Mussaf service, we will recite the Zichronot section, recalling how our past as Jews is made up of countless moments in which God remembered us and was there to guide and strengthen us.   
And that tension between experiences, recording and remembering and living – it’s here with us in our liturgy as well.  Because, while if I’ve done my job right, you have your phone off – if you’re looking to have that first-hand experience – something spiritual, something transcending, something moving – the way we feel at say a wedding or a funeral perhaps – I wonder if that’s happening.  I really do.  No doubt for some it does happen.  And I bet for many - here and there - as we hear the Cantor chanting some melody that is full of yearning and pathos, we are moved.  That it happens as we share with our children or grandchildren the holiday. 
But I also bet that for many of you, for much of our service, you may be struggling.  And that struggle may not be limited to just the High Holidays.  It’s probably true about much of the rest of what I’ll call “organized” Jewish life. 
I find that so frustrating.  I want so desperately for Jewish learning and Jewish observance to be deeply part of all your lives.  For you all to want to put down whatever else might distract you so as to be immersed in this time we share together, and in Jewish life all year long.  But I recognize that it can seem silly, impossible for that to happen. 
That’s why I want you to consider the types of pictures I mentioned before.  Today, during those moments that might not feel transcendent, that aren’t of the sort where you’re in awe -- today as we pray from the machzor, the prayer book, and you find yourself wandering, consider this. 
The machzor, and all our rituals, are like leafing through an old family album.  We are looking at this picture with something written with a fountain pen, in Yiddish, inscribed on the back, of a stern man and a strong woman, staring out at us.  The picture is captivating, it draws us in.  I’m connected to these people!  What they did in their lives led to me being here in mine. 
And then we keep looking.  We find older images still – sketches, paintings.  Ancestors who seem ever more and more different from us, but still our ancestors, still part of our story.  And now we find the oldest artifacts – carved on stone, made in mosaic.  Would you reject these?  Would you put them in a shoe box with the pictures of you in a powder-blue tux or with tremendously teased up hair? 
No!  You would display that stele, that sculpture, that scroll, that manuscript as your most prized possession.  “This was painted by one of my ancestors 200, 400, 700 years ago!”  People would be in awe of that.  You would be in of awe that! 
That is what we encounter in the machzor today, in the Torah reading today.  Perhaps you’re the family genealogist and you recognize many of these pictures and can read Aunt Sylvia’s handwriting on the back of the picture – then these prayers and readings may certainly speak to you in a deep and broad and powerful way. 
But even if you’re just looking at these pictures for the first time, knowing that some how you’re connected to them – that is still a powerful experience to be had. 
That is the way to approach our Jewish heritage and our Jewish observances.  Think of them as the box of very old photos, as the precious heirloom, as the museum piece made by someone with your same last name – alive with memory!
Now for me, that speaks to my dedication and devotion to stay true to the prayers and traditions as we have inherited them.  Because to overly rely on contemporary updates in place of the traditional ones, even the difficult traditional ones, and some are even for me – is to slot that teased bangs and mullet prom picture into the frame in place of the sepia-toned photograph of my great-grandparents at their wedding – why would I ever do that? 
Yet that isn’t to say that every so often I do manage to take a really special picture that is worth keeping.  I think we can all agree that many of the readings we say in American English today might feel stilted and dated in just a decade or two - there are prayers that must, and have, and do, make the cut.  Even in English. 
The prayer for our country, is an example.  A country that even with all its problems has treated Jews like human beings, deserves it. 
A prayer for Israel – a true miracle worthy of something new added. 
A prayer to call a woman to the Torah.  Yes, that must be there. 
A prayer for that same woman to remember her deceased wife at Yizkor, yes, how could we not have that?
Yet as much as I value these old prayers and old rituals and old readings just the way I would rightly value ancient evidence of my family’s long history.  I still yearn most for an experience now and today. 
The machzor is addressing exactly this, too.  At those points you can freely and fully interact with the service directly and first-hand, go for it. 
But for those times you might not be able to, try considering that you aren’t looking through a thousand bad shots of someone’s floor accidently taken with their phone.  Rather, that what we hold is the carefully collected and curated, well-staged and well-lit record of the prayers our people have come to feel are the best, most representative, most comforting, challenging, endearing, enduring, for us on this day.  Arrived at over countless generations, and the experiences of countless Jews – and here they are, distilled into this one book. 
That’s a reminder to live life not showing up to the Bat Mitzvah taking pictures before anything even happens - or taking pictures straight through the touching speech by the grandparents and thus missing it entirely. 
Our tradition encourages us often to “turn off” and just experience the world – on Shabbat and on Holidays.  And other aspects of our rituals foster a similar worldview of thoughtfulness and even constraint.  The concept of kavannah, “intention” is meant to make us focus on the mitzvah, the prayer at hand. 
We should take from the High Holidays a lesson for living – looking not to snap a photo of everything, every day but rather to experience as richly and deeply and directly the momentous and mundane of life – for living is the greatest gift of all and to not embrace it is to reject what our tradition teaches is why God created us in the first place. 
Yet we should also learn that there are certain moments that really are going to stand the test of time.  And that those timeless moments call out to us even when they aren’t our own direct experiences.  They nevertheless speak to us of universal, timeless experiences.  Our machzor is one example Judaism gifts to us with its collection of such treasures.  We should make our encounter with the services today one of wonder and awe and curiosity at the treasure box we hold in our hands, for in it, we will see ourselves in the mirror of the past, and a pathway towards meaningful and holy moments in our future. 
L’shanah Tovah Tikateivu & Gut Yontif

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